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Pagina 323
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ...
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ...
Pagina 351
I have dwelt a moment on these examples of expression and of beauty that I may draw from them a principle in art , a principle which , if it has been often illustrated by brilliant results , we constantly see neglected , overlooked ...
I have dwelt a moment on these examples of expression and of beauty that I may draw from them a principle in art , a principle which , if it has been often illustrated by brilliant results , we constantly see neglected , overlooked ...
Pagina 361
The key to this fresh appreciation of the machine as a source of new esthetic forms has come through a formulation of its chief esthetic principle : the principle of economy . This principle is of course not unknown in other phases of ...
The key to this fresh appreciation of the machine as a source of new esthetic forms has come through a formulation of its chief esthetic principle : the principle of economy . This principle is of course not unknown in other phases of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words