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Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Whistler indeed said that to produce Art by imitating nature would be like trying to produce music by sitting upon the piano , but the selective , idealizing imitation of nature finds merely another support in such a saying .
Pagina 445
When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or would in the view of equilibrium here being considered be called not " beautiful " but ...
When works of art produce such action , or conditions which lead to action , they have either not completely fulfilled their function or would in the view of equilibrium here being considered be called not " beautiful " but ...
Pagina 504
Again , Tragedy like Epic poetry produces its effect even without action ; it reveals its power by mere reading . ... with the music and spectacular effects as important accessories ; and these produce the most vivid of pleasures .
Again , Tragedy like Epic poetry produces its effect even without action ; it reveals its power by mere reading . ... with the music and spectacular effects as important accessories ; and these produce the most vivid of pleasures .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words