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Pagina 182
the perceived results is of such a nature that its qualities as perceived have
controlled the question of production . The act of producing that is directed by
intent to produce something that is enjoyed in the immediate experience of
perceiving ...
the perceived results is of such a nature that its qualities as perceived have
controlled the question of production . The act of producing that is directed by
intent to produce something that is enjoyed in the immediate experience of
perceiving ...
Pagina 404
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Pagina 445
When works of art produce such action , or conditions which lead to action , they
have either not completely fulfilled their function or would in the view of
equilibrium here being considered be called not " beautiful ” but " stimulative . ” 2
As we ...
When works of art produce such action , or conditions which lead to action , they
have either not completely fulfilled their function or would in the view of
equilibrium here being considered be called not " beautiful ” but " stimulative . ” 2
As we ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |