A modern book of esthetics: an anthology |
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Pagina 294
specimens of works which lead this curiously independent existence, but it need
be no more true of music than of poetry that it must be essentially meaningless. ...
And, thirdly, there is the class of music ordinarily called program music. Of these ...
specimens of works which lead this curiously independent existence, but it need
be no more true of music than of poetry that it must be essentially meaningless. ...
And, thirdly, there is the class of music ordinarily called program music. Of these ...
Pagina 297
The reluctance of many musicians to admit that music of the kind we are
discussing (which includes almost the whole of Beethoven's music) is in any
sense program music is due to their feeling that any proposed "situation" is not
only ...
The reluctance of many musicians to admit that music of the kind we are
discussing (which includes almost the whole of Beethoven's music) is in any
sense program music is due to their feeling that any proposed "situation" is not
only ...
Pagina 300
an anthology Melvin Miller Rader. us to understand the peculiar character of
program music. That character does not consist in any correspondences that may
exist between auditory and other physical perceptions, but in the analogy
between ...
an anthology Melvin Miller Rader. us to understand the peculiar character of
program music. That character does not consist in any correspondences that may
exist between auditory and other physical perceptions, but in the analogy
between ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. Sullivan judgment kind knowledge language living material meaning merely mind moral Morris Weitz movement nature object organic organicism painter painting perceived perception person phantasy philosophers physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape soul spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words