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Pagina 315
And this question we are compelled to raise , because we have to deal with the two contentions that the poetic value lies wholly or mainly in the substance , and that it lies wholly or mainly in the form .
And this question we are compelled to raise , because we have to deal with the two contentions that the poetic value lies wholly or mainly in the substance , and that it lies wholly or mainly in the form .
Pagina 317
If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of ...
If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of ...
Pagina 462
The question , What is it worth ? presupposes the question , What is it ? and this question can be answered only within an historical frame of reference . Similarly , the re - creation of a work of art in all its individuality is ...
The question , What is it worth ? presupposes the question , What is it ? and this question can be answered only within an historical frame of reference . Similarly , the re - creation of a work of art in all its individuality is ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words