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Pagina 89
Consequently , the question whether art be a physical fact must rationally
assume this different signification : that is to say , whether it be possible to
construct art physically . And this is certainly possible , for we indeed carry it out
always , when ...
Consequently , the question whether art be a physical fact must rationally
assume this different signification : that is to say , whether it be possible to
construct art physically . And this is certainly possible , for we indeed carry it out
always , when ...
Pagina 94
The answer to such a question may be said to result from the examination of the
greatest ideal strife that has ever taken place in the field of art ( and is not
confined to the epoch that took its name from it and in which it was predominant )
: the ...
The answer to such a question may be said to result from the examination of the
greatest ideal strife that has ever taken place in the field of art ( and is not
confined to the epoch that took its name from it and in which it was predominant )
: the ...
Pagina 476
In regard to highly integrated works of art nothing is further from the truth than the
de gustibus non est disputandum adage . When the spectator is dissatisfied ,
then the question is whether the spectator or the artist was wrong in his
imaginative ...
In regard to highly integrated works of art nothing is further from the truth than the
de gustibus non est disputandum adage . When the spectator is dissatisfied ,
then the question is whether the spectator or the artist was wrong in his
imaginative ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole