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Pagina 315
And this question we are compelled to raise , because we have to deal with the
two contentions that the poetic value lies wholly or mainly in the substance , and
that it lies wholly or mainly in the form . Now these contentions , whether false or ...
And this question we are compelled to raise , because we have to deal with the
two contentions that the poetic value lies wholly or mainly in the substance , and
that it lies wholly or mainly in the form . Now these contentions , whether false or ...
Pagina 317
If substance and form mean anything in the poem , then each is involved in the
other , and the question in which of them the value lies has no sense . No doubt
you may say , speaking loosely , that in this poet or poem the aspect of substance
...
If substance and form mean anything in the poem , then each is involved in the
other , and the question in which of them the value lies has no sense . No doubt
you may say , speaking loosely , that in this poet or poem the aspect of substance
...
Pagina 462
The question , What is it worth ? presupposes the question , What is it ? and this
question can be answered only within an historical frame of reference . Similarly ,
the re - creation of a work of art in all its individuality is essential to both ...
The question , What is it worth ? presupposes the question , What is it ? and this
question can be answered only within an historical frame of reference . Similarly ,
the re - creation of a work of art in all its individuality is essential to both ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |