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Pagina 155
In introversion for scientific phantasy it is true that we turn away from immediate
environment , yet none the less we turn towards those parts of external reality of
which the words are symbols . Ordinarily we see , hovering behind language , the
...
In introversion for scientific phantasy it is true that we turn away from immediate
environment , yet none the less we turn towards those parts of external reality of
which the words are symbols . Ordinarily we see , hovering behind language , the
...
Pagina 164
The novel uses words grammatically so as sharply to exclude all meanings and
therefore all affective tones , except one clear piece of reality , and then derives
the emotional content from this piece of reality and its active relation with the
other ...
The novel uses words grammatically so as sharply to exclude all meanings and
therefore all affective tones , except one clear piece of reality , and then derives
the emotional content from this piece of reality and its active relation with the
other ...
Pagina 166
In this way the emotional content does not float about fluidly in the mind ; it is
firmly attached , by a hundred interweaving strands , to the manifest content - a
piece of external reality . A poem ' s content is not just emotion , it is organized ...
In this way the emotional content does not float about fluidly in the mind ; it is
firmly attached , by a hundred interweaving strands , to the manifest content - a
piece of external reality . A poem ' s content is not just emotion , it is organized ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole