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Pagina 155
In introversion for scientific phantasy it is true that we turn away from immediate
environment , yet none the less we turn towards those parts of external reality of
which the words are symbols . Ordinarily we see , hovering behind language , the
...
In introversion for scientific phantasy it is true that we turn away from immediate
environment , yet none the less we turn towards those parts of external reality of
which the words are symbols . Ordinarily we see , hovering behind language , the
...
Pagina 164
The novel uses words grammatically so as sharply to exclude all meanings and
therefore all affective tones , except one clear piece of reality , and then derives
the emotional content from this piece of reality and its active relation with the
other ...
The novel uses words grammatically so as sharply to exclude all meanings and
therefore all affective tones , except one clear piece of reality , and then derives
the emotional content from this piece of reality and its active relation with the
other ...
Pagina 166
In this way the emotional content does not float about fluidly in the mind ; it is
firmly attached , by a hundred interweaving strands , to the manifest content - a
piece of external reality . A poem ' s content is not just emotion , it is organized ...
In this way the emotional content does not float about fluidly in the mind ; it is
firmly attached , by a hundred interweaving strands , to the manifest content - a
piece of external reality . A poem ' s content is not just emotion , it is organized ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |