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Pagina 88
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain determined colors , or relations ...
I shall indicate the principal , or at least those that are the most important for us at this present moment of our culture . It denies , above all , that art is a physical fact : for example , certain determined colors , or relations ...
Pagina 228
And since . . . these relations are peculiar to certain qualitative aspects of sensuous material , we shall not expect to find them limited to the spatial or the temporal merely . What is characteristic of color contrasts is not only ...
And since . . . these relations are peculiar to certain qualitative aspects of sensuous material , we shall not expect to find them limited to the spatial or the temporal merely . What is characteristic of color contrasts is not only ...
Pagina 308
Just the shapes of those bottles and their mutual relations gave me the feeling of something immensely grand and impressive and the phrase that came into my mind was , " This is just how I felt when I first saw Michelangelo's frescoes ...
Just the shapes of those bottles and their mutual relations gave me the feeling of something immensely grand and impressive and the phrase that came into my mind was , " This is just how I felt when I first saw Michelangelo's frescoes ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers