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Pagina 231
The neutral variations , white to black through the grays , are represented along
the vertical axis from upper to lower apex ; the saturated hues lie on the
circumference of the double base ; the pure light variations ( which may be
thought of as ...
The neutral variations , white to black through the grays , are represented along
the vertical axis from upper to lower apex ; the saturated hues lie on the
circumference of the double base ; the pure light variations ( which may be
thought of as ...
Pagina 308
what is represented . To one who feels the language of pictorial form all depends
on how it is presented , nothing on what . Rembrandt expressed his profoundest
feelings just as well when he painted a carcass hanging up in a butcher ' s shop ...
what is represented . To one who feels the language of pictorial form all depends
on how it is presented , nothing on what . Rembrandt expressed his profoundest
feelings just as well when he painted a carcass hanging up in a butcher ' s shop ...
Pagina 431
When the Graces are represented by three nervous ladies hiding behind a
blanket , they no longer convey to us the civilizing influence of beauty . When
Herakles is a lumbering Landsknecht weighed down by fashionable armor , he
cannot ...
When the Graces are represented by three nervous ladies hiding behind a
blanket , they no longer convey to us the civilizing influence of beauty . When
Herakles is a lumbering Landsknecht weighed down by fashionable armor , he
cannot ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole