A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 327
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two fundamental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is a ...
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two fundamental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is a ...
Pagina 328
... rhythm . Rhythm often replaces right - and - left balance in wall paintings , as in those of Puvis de Chavannes . In the Metropolitan Museum he has two paintings , both decorative sketches , which illustrate this : " Inter Artes et ...
... rhythm . Rhythm often replaces right - and - left balance in wall paintings , as in those of Puvis de Chavannes . In the Metropolitan Museum he has two paintings , both decorative sketches , which illustrate this : " Inter Artes et ...
Pagina 329
... rhythm , evolution is not itself necessarily rhythmical . In literature , the rhythm of prose and poetry overlies a development of meanings which does not itself have a quasi - mechanical character of rhythm ; the rhythm of time and ...
... rhythm , evolution is not itself necessarily rhythmical . In literature , the rhythm of prose and poetry overlies a development of meanings which does not itself have a quasi - mechanical character of rhythm ; the rhythm of time and ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words