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Pagina xxvii
But such a truth is quite different from the sentiment expressed in an old hobo
song : O , why don ' t you work like other men do ? How the hell can I work when
the sky ' s so blue ? The blue referred to in this song is esthetic , not scientific .
But such a truth is quite different from the sentiment expressed in an old hobo
song : O , why don ' t you work like other men do ? How the hell can I work when
the sky ' s so blue ? The blue referred to in this song is esthetic , not scientific .
Pagina 243
The present position is that there are three primary forms of discourse ( the
scientific , the esthetic , and the technological ) , and that all other forms are
secondary , that is , are a function of these primary forms . ? A brief
characterization of the ...
The present position is that there are three primary forms of discourse ( the
scientific , the esthetic , and the technological ) , and that all other forms are
secondary , that is , are a function of these primary forms . ? A brief
characterization of the ...
Pagina 247
Scientific discourse does not entice by the presentation of value nor seduce to
action by the advocacy of a technique ; it represents ... Further , the scientist may
be helped in the scientific study of values by the vivid portrayal of the value
whose ...
Scientific discourse does not entice by the presentation of value nor seduce to
action by the advocacy of a technique ; it represents ... Further , the scientist may
be helped in the scientific study of values by the vivid portrayal of the value
whose ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole