A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 33
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
Pagina 79
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in images . Halfway between the passivity of sensation and the ...
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in images . Halfway between the passivity of sensation and the ...
Pagina 101
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is understood , either as memory , mnemonic association , conscious recollection ...
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is understood , either as memory , mnemonic association , conscious recollection ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words