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Pagina xvi
Neither Plato nor Aristotle , for example , favors imitation in the sense of non - expressive copying . Plato refers to the painters and poets that he condemns as mere imitators ; but in many passages , he recognizes the existence and ...
Neither Plato nor Aristotle , for example , favors imitation in the sense of non - expressive copying . Plato refers to the painters and poets that he condemns as mere imitators ; but in many passages , he recognizes the existence and ...
Pagina 239
sense departments may be very similar with respect to form . Each of the sounds , takete and uloomu , fits perfectly one of the visual designs , but not the other . The impressions are different in content - one is visual and the other ...
sense departments may be very similar with respect to form . Each of the sounds , takete and uloomu , fits perfectly one of the visual designs , but not the other . The impressions are different in content - one is visual and the other ...
Pagina 249
Expressiveness , in one definite and appropriate sense , is the same in all art works of any kind . What is created is not the same in any two distinct arts - this is , in fact , what makes them distinct - but the principle of creation ...
Expressiveness , in one definite and appropriate sense , is the same in all art works of any kind . What is created is not the same in any two distinct arts - this is , in fact , what makes them distinct - but the principle of creation ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words