A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina xvi
... sense of non - expressive copying . Plato refers to the painters and poets that he condemns as mere imitators ; but in many passages , he recognizes the existence and value of artistic inspiration , which is non - imitative in any ...
... sense of non - expressive copying . Plato refers to the painters and poets that he condemns as mere imitators ; but in many passages , he recognizes the existence and value of artistic inspiration , which is non - imitative in any ...
Pagina 48
... sense of beauty of an objectification of feeling elsewhere extinct . Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object : the object has to be applied to a particular organ ...
... sense of beauty of an objectification of feeling elsewhere extinct . Most of the pleasures which objects cause are easily distinguished and separated from the perception of the object : the object has to be applied to a particular organ ...
Pagina 239
... sense department and another but between a pattern of sense and a pattern of feeling . " The tonal structures we call ' music , ' " for example , " bear a close logical similarity to the forms of human feeling - forms of growth and of ...
... sense department and another but between a pattern of sense and a pattern of feeling . " The tonal structures we call ' music , ' " for example , " bear a close logical similarity to the forms of human feeling - forms of growth and of ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words