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Pagina 64
Speech transmitting the thoughts and experiences of men serves as a means of union among them , and art serves a similar purpose . The peculiarity of this latter means of intercourse , distinguishing it from intercourse by means of ...
Speech transmitting the thoughts and experiences of men serves as a means of union among them , and art serves a similar purpose . The peculiarity of this latter means of intercourse , distinguishing it from intercourse by means of ...
Pagina 402
A similar , in many ways even greater ... Though not using a living bodily medium , yet the human form in its full spatial materiality constitutes a similar threat to Distance . Our northern habits of dress and ignorance of the human ...
A similar , in many ways even greater ... Though not using a living bodily medium , yet the human form in its full spatial materiality constitutes a similar threat to Distance . Our northern habits of dress and ignorance of the human ...
Pagina 530
55-61 . Bosanquet , Bernard , Three Lectures on Aesthetic , London , 1915 , Lecture 3 . York , 1930 , pp . 25-31 ( similar to Ogden , Richards , and Wood ) . Puffer , Ethel , The Psychology of Beauty , Boston , 1905 ( similar to Ogden ...
55-61 . Bosanquet , Bernard , Three Lectures on Aesthetic , London , 1915 , Lecture 3 . York , 1930 , pp . 25-31 ( similar to Ogden , Richards , and Wood ) . Puffer , Ethel , The Psychology of Beauty , Boston , 1905 ( similar to Ogden ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers