A modern book of esthetics: an anthology |
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Pagina 119
He believed that Freud had thought too exclusively in terms of individual
psychology, and that the Marxian social emphasis is needed to correct this one-
sidedness. The dreams and illusions of the neurotic, he maintained, are just
peculiar or ...
He believed that Freud had thought too exclusively in terms of individual
psychology, and that the Marxian social emphasis is needed to correct this one-
sidedness. The dreams and illusions of the neurotic, he maintained, are just
peculiar or ...
Pagina 157
This consciousness is contradicted by my experience— that is, I have a new
personal experience, something not given in the social world of poetry. Therefore
I desire what is called self-expression but is really self -socialization, the casting
of ...
This consciousness is contradicted by my experience— that is, I have a new
personal experience, something not given in the social world of poetry. Therefore
I desire what is called self-expression but is really self -socialization, the casting
of ...
Pagina 158
This also explains why it is correct to have a materialist approach to art, to look in
the art-works of any age for a reflection of the social relations of that age. For the
experience of men in general is determined in general by the social relations of ...
This also explains why it is correct to have a materialist approach to art, to look in
the art-works of any age for a reflection of the social relations of that age. For the
experience of men in general is determined in general by the social relations of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. Sullivan judgment kind knowledge language living material meaning merely mind moral Morris Weitz movement nature object organic organicism painter painting perceived perception person phantasy philosophers physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape soul spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words