A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 96
... soul , from a " sketch " ( as the painters call it ) , from a motive ; and they follow one another and crowd together without that precise intonation , without that accent , which comes from the heart . And what is the figure cut out ...
... soul , from a " sketch " ( as the painters call it ) , from a motive ; and they follow one another and crowd together without that precise intonation , without that accent , which comes from the heart . And what is the figure cut out ...
Pagina 191
... soul is the reason for the necessity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endurance . The soul cries aloud for release into change . It suffers the agonies of ...
... soul is the reason for the necessity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endurance . The soul cries aloud for release into change . It suffers the agonies of ...
Pagina 227
... soul , where the soul is a feeling , and the body its expres- sion , without residue on either side . -Three Lectures on Esthetic ( 1915 ) DAVID WIGHT PRALL Sensuous Elements and Esthetic Orders What is the language of esthetics ? What ...
... soul , where the soul is a feeling , and the body its expres- sion , without residue on either side . -Three Lectures on Esthetic ( 1915 ) DAVID WIGHT PRALL Sensuous Elements and Esthetic Orders What is the language of esthetics ? What ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words