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Pagina 228
But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable ... As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch ...
But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable ... As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch ...
Pagina 229
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in pitch than A. It is clear then that every sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible ...
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in pitch than A. It is clear then that every sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible ...
Pagina 233
Since every sound in order to be heard , and every color in order to be seen , must be more than pitch and loudness in the one case , more than hue and saturation and brightness in the other , spatial and temporal structure and the ...
Since every sound in order to be heard , and every color in order to be seen , must be more than pitch and loudness in the one case , more than hue and saturation and brightness in the other , spatial and temporal structure and the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |