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Pagina 228
But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable ... As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch ...
But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable ... As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch ...
Pagina 229
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in pitch than A. It is clear then that every sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible ...
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in pitch than A. It is clear then that every sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible ...
Pagina 233
Since every sound in order to be heard , and every color in order to be seen , must be more than pitch and loudness in the one case , more than hue and saturation and brightness in the other , spatial and temporal structure and the ...
Since every sound in order to be heard , and every color in order to be seen , must be more than pitch and loudness in the one case , more than hue and saturation and brightness in the other , spatial and temporal structure and the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words