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Pagina 60
Style and Personality Style is the man , says Buffon ; and he is right . Get some one who can read , to read a page of Demosthenes and of Cicero , of Bossuet and of Massillon , of Corneille and of Racine , of Lamartine and of Victor ...
Style and Personality Style is the man , says Buffon ; and he is right . Get some one who can read , to read a page of Demosthenes and of Cicero , of Bossuet and of Massillon , of Corneille and of Racine , of Lamartine and of Victor ...
Pagina 338
II Styles are not usually defined in a strictly logical way . As with languages , the definition indicates the time and place of a style or its author , or the historical relation to other styles , rather than its peculiar features .
II Styles are not usually defined in a strictly logical way . As with languages , the definition indicates the time and place of a style or its author , or the historical relation to other styles , rather than its peculiar features .
Pagina 339
ent themes - portraits , still lifes , and landscapes - will appear in the same style . It must be said , too , that form elements or motives , although very striking and essential for the expression , are not sufficient for ...
ent themes - portraits , still lifes , and landscapes - will appear in the same style . It must be said , too , that form elements or motives , although very striking and essential for the expression , are not sufficient for ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words