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Pagina 26
But they differ logically , for goodness properly relates to the appetite ( goodness being what all things desire ) ; and therefore it has the aspect of an end ( the appetite being a kind of movement towards a thing ) .
But they differ logically , for goodness properly relates to the appetite ( goodness being what all things desire ) ; and therefore it has the aspect of an end ( the appetite being a kind of movement towards a thing ) .
Pagina 33
The human artist or poet whose mind is not , like the Divine Mind , the cause of things , cannot draw this form complete out of his creative spirit : he goes and gathers it first and foremost in the vast treasure of created things ...
The human artist or poet whose mind is not , like the Divine Mind , the cause of things , cannot draw this form complete out of his creative spirit : he goes and gathers it first and foremost in the vast treasure of created things ...
Pagina 436
Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the universe . Whenever we want to grasp one piece of the world , science takes it out of our hand , shows us ...
Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the universe . Whenever we want to grasp one piece of the world , science takes it out of our hand , shows us ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words