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Pagina 26
But they differ logically , for goodness properly relates to the appetite ( goodness
being what all things desire ) ; and therefore it has the aspect of an end ( the
appetite being a kind of movement towards a thing ) . On the other hand , beauty
...
But they differ logically , for goodness properly relates to the appetite ( goodness
being what all things desire ) ; and therefore it has the aspect of an end ( the
appetite being a kind of movement towards a thing ) . On the other hand , beauty
...
Pagina 33
The human artist or poet whose mind is not , like the Divine Mind , the cause of
things , cannot draw this form complete out of his creative spirit : he goes and
gathers it first and foremost in the vast treasure of created things , of sensitive
nature ...
The human artist or poet whose mind is not , like the Divine Mind , the cause of
things , cannot draw this form complete out of his creative spirit : he goes and
gathers it first and foremost in the vast treasure of created things , of sensitive
nature ...
Pagina 436
Science makes us believe that it speaks of the thing , and yet informs us merely of
the thing ' s relations to other things in the universe . Whenever we want to grasp
one piece of the world , science takes it out of our hand , shows us instead of ...
Science makes us believe that it speaks of the thing , and yet informs us merely of
the thing ' s relations to other things in the universe . Whenever we want to grasp
one piece of the world , science takes it out of our hand , shows us instead of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |