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Pagina 371
except that it coalesces with the shape we are looking at ; in short that the rising continuing to be thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in ...
except that it coalesces with the shape we are looking at ; in short that the rising continuing to be thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in ...
Pagina 490
Plot , or the representation of the action , is of primary importance ; character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language ...
Plot , or the representation of the action , is of primary importance ; character and thought come next in order . ] Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language ...
Pagina 499
XIX , XXII [ Thought and diction in tragedy . ] It remains to speak of Diction and Thought , the other parts of Tragedy having been already discussed . Concerning Thought , we may assume what is said in the Rhetoric , to which inquiry ...
XIX , XXII [ Thought and diction in tragedy . ] It remains to speak of Diction and Thought , the other parts of Tragedy having been already discussed . Concerning Thought , we may assume what is said in the Rhetoric , to which inquiry ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |