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Pagina 206
But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art .
But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art .
Pagina 407
Our understanding of Greek tragedy suffers admittedly under our inability to revert to the point of view for which it was originally written . Even the tragedies of Racine demand an imaginative effort to put ourselves back into the ...
Our understanding of Greek tragedy suffers admittedly under our inability to revert to the point of view for which it was originally written . Even the tragedies of Racine demand an imaginative effort to put ourselves back into the ...
Pagina 490
Of their constituent parts some are common to both , some peculiar to Tragedy : whoever , therefore , knows what is good or bad Tragedy , knows also about Epic poetry . All the elements of an Epic poem are found in Tragedy , but the ...
Of their constituent parts some are common to both , some peculiar to Tragedy : whoever , therefore , knows what is good or bad Tragedy , knows also about Epic poetry . All the elements of an Epic poem are found in Tragedy , but the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words