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Pagina 206
But to do this with “ art ” or “ tragedy " or " portraiture , " etc . , is ludicrous since it
forecloses on the very conditions of creativity in the arts . Of course there are
legitimate and serviceable closed concepts in art . But these are always those
whose ...
But to do this with “ art ” or “ tragedy " or " portraiture , " etc . , is ludicrous since it
forecloses on the very conditions of creativity in the arts . Of course there are
legitimate and serviceable closed concepts in art . But these are always those
whose ...
Pagina 407
Our understanding of Greek tragedy suffers admittedly under our inability to
revert to the point of view for which it was originally written . Even the tragedies of
Racine demand an imaginative effort to put ourselves back into the courtly ...
Our understanding of Greek tragedy suffers admittedly under our inability to
revert to the point of view for which it was originally written . Even the tragedies of
Racine demand an imaginative effort to put ourselves back into the courtly ...
Pagina 490
Of their constituent parts some are common to both , some peculiar to Tragedy :
whoever , therefore , knows what is good or bad Tragedy , knows also about Epic
poetry . All the elements of an Epic poem are found in Tragedy , but the elements
...
Of their constituent parts some are common to both , some peculiar to Tragedy :
whoever , therefore , knows what is good or bad Tragedy , knows also about Epic
poetry . All the elements of an Epic poem are found in Tragedy , but the elements
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |