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Pagina xxvi
The work of art may be defined as an organic unity of value - expressive
constituents . The constituents include representations , connotations , and purely
sensuous materials , and there is almost no value that cannot be represented ...
The work of art may be defined as an organic unity of value - expressive
constituents . The constituents include representations , connotations , and purely
sensuous materials , and there is almost no value that cannot be represented ...
Pagina 173
In a work of art , different acts , episodes , occurrences melt and fuse into unity ,
and yet do not disappear and lose their own character as they do so — just as in
a genial conversation there is a continuous interchange and blending , and yet ...
In a work of art , different acts , episodes , occurrences melt and fuse into unity ,
and yet do not disappear and lose their own character as they do so — just as in
a genial conversation there is a continuous interchange and blending , and yet ...
Pagina 493
Unity of plot does not , as some persons think , consist in the unity of the hero .
For infinitely various are the incidents in one man ' s life which cannot be reduced
to unity ; and so , too , there are many actions of one man out of which we cannot
...
Unity of plot does not , as some persons think , consist in the unity of the hero .
For infinitely various are the incidents in one man ' s life which cannot be reduced
to unity ; and so , too , there are many actions of one man out of which we cannot
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |