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Pagina 223
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind ” in ...
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind ” in ...
Pagina 324
In short , the meaning of the whole is not something additional to the elements of the work of art , but their cooperative deed . This principle cannot , however , be described in so external a fashion . For the unity of a work of art ...
In short , the meaning of the whole is not something additional to the elements of the work of art , but their cooperative deed . This principle cannot , however , be described in so external a fashion . For the unity of a work of art ...
Pagina 492
VII [ The plot must be a whole , complete in itself , and of adequate magnitude . ] These principles being established , let us now discuss the proper structure of the Plot , since this is the first and most important thing in Tragedy .
VII [ The plot must be a whole , complete in itself , and of adequate magnitude . ] These principles being established , let us now discuss the proper structure of the Plot , since this is the first and most important thing in Tragedy .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |