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Pagina 223
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind ” in ...
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind ” in ...
Pagina 324
In short , the meaning of the whole is not something additional to the elements of the work of art , but their cooperative deed . This principle cannot , however , be described in so external a fashion . For the unity of a work of art ...
In short , the meaning of the whole is not something additional to the elements of the work of art , but their cooperative deed . This principle cannot , however , be described in so external a fashion . For the unity of a work of art ...
Pagina 492
VII [ The plot must be a whole , complete in itself , and of adequate magnitude . ] These principles being established , let us now discuss the proper structure of the Plot , since this is the first and most important thing in Tragedy .
VII [ The plot must be a whole , complete in itself , and of adequate magnitude . ] These principles being established , let us now discuss the proper structure of the Plot , since this is the first and most important thing in Tragedy .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |