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Pagina 223
An Anthology Melvin Miller Rader. on paper . But when you coine to carry them
out in the medium , then , if they are appropriate , or if you succeed in adapting
them , they become each a special phase of the embodiment of your whole
delight ...
An Anthology Melvin Miller Rader. on paper . But when you coine to carry them
out in the medium , then , if they are appropriate , or if you succeed in adapting
them , they become each a special phase of the embodiment of your whole
delight ...
Pagina 324
In short , the meaning of the whole is not something additional to the elements of
the work of art , but their cooperative deed . This principle cannot , however , be
described in so external a fashion . For the unity of a work of art is the counterpart
...
In short , the meaning of the whole is not something additional to the elements of
the work of art , but their cooperative deed . This principle cannot , however , be
described in so external a fashion . For the unity of a work of art is the counterpart
...
Pagina 492
VII ( The plot must be a whole , complete in itself , and of adequate magnitude . ]
These principles being established , let us now discuss the proper structure of the
Plot , since this is the first and most important thing in Tragedy . Now , according ...
VII ( The plot must be a whole , complete in itself , and of adequate magnitude . ]
These principles being established , let us now discuss the proper structure of the
Plot , since this is the first and most important thing in Tragedy . Now , according ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |