A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 156
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many " meanings " ( for exam- ple , the word " brute " can mean a ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over - determined . " One word has many affective associations because it has many " meanings " ( for exam- ple , the word " brute " can mean a ...
Pagina 163
... word like " spring " there are hundreds of them ; of greenness , of youth , of foun- tains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of different ...
... word like " spring " there are hundreds of them ; of greenness , of youth , of foun- tains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations , picked up in the thousands of different ...
Pagina 194
... words in their vital em- ployment we discover that they have no fixed meanings and no sharp edges . An example discussed in the following selection is the word " game . " We can find no mark or characteristic , no " essence , " that is ...
... words in their vital em- ployment we discover that they have no fixed meanings and no sharp edges . An example discussed in the following selection is the word " game . " We can find no mark or characteristic , no " essence , " that is ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words