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Pagina 133
Shall we dare really to compare an imaginative writer with " one who dreams in broad daylight , " and his creations ... We will choose the less pretentious writers of romances , novels , and stories , who are read all the same by the ...
Shall we dare really to compare an imaginative writer with " one who dreams in broad daylight , " and his creations ... We will choose the less pretentious writers of romances , novels , and stories , who are read all the same by the ...
Pagina 134
The psychological novel in general probably owes its peculiarities to the tendency of modern writers to split up their ego by selfobservation into many component - egos , and in this way to personify the conflicting trends in their own ...
The psychological novel in general probably owes its peculiarities to the tendency of modern writers to split up their ego by selfobservation into many component - egos , and in this way to personify the conflicting trends in their own ...
Pagina 135
Here , too , the writer retains a certain amount of independence , which can express itself in the choice of ... You will say that , although writers came first in the title of this paper , I have told you far less about them than about ...
Here , too , the writer retains a certain amount of independence , which can express itself in the choice of ... You will say that , although writers came first in the title of this paper , I have told you far less about them than about ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words