Aesthetic as Science of Expression and General LinguisticNonpareil Books, 1978 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 14
... distinct from a science of greater intuition , nor one of ordinary intuition as distinct from artistic intuition . There is but one Esthetic , the science of intuitive or expressive knowledge , which is the æsthetic or artistic fact ...
... distinct from a science of greater intuition , nor one of ordinary intuition as distinct from artistic intuition . There is but one Esthetic , the science of intuitive or expressive knowledge , which is the æsthetic or artistic fact ...
Pagina 207
... distinct from an absolute , beauty.1 This view on the whole predominated in England during the eighteenth century and was adopted by Adam Smith as well as by Reid , head of the Scottish school . Petites Much more thoroughly and with ...
... distinct from an absolute , beauty.1 This view on the whole predominated in England during the eighteenth century and was adopted by Adam Smith as well as by Reid , head of the Scottish school . Petites Much more thoroughly and with ...
Pagina 215
... distinct cognition . The law of continuity leads him to set up a scale of more and less amongst cognitions , the obscure are less poetical than the confused ; the distinct are not poetical , but even those of the higher kinds ( that is ...
... distinct cognition . The law of continuity leads him to set up a scale of more and less amongst cognitions , the obscure are less poetical than the confused ; the distinct are not poetical , but even those of the higher kinds ( that is ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appear Aristotle artistic Asth Baumgarten beautiful called century character cognitive colours comic concept confused consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine empirical error Esthetic ethical exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language laws Leibniz Linguistic literary logical matter means metaphysical moral Naples nature object observations painting Patrizzi perfection philo philosophical physical Plato pleasure Plotinus poet poetic poetica poetry practical principle problem produced pure Quintilian reason reflexion relation representation reproduction Rhetoric Schiller scientific Scienza nuova sec sensation sense sensible Solger sometimes soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Winckelmann words writers