A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina xxiv
... sensation blends with sensation to create a new quality ( for instance , when notes combine to form a chord ) , so feeling or desire blends with sensation to create the esthetic effect . To depict the artist as he is sometimes depicted ...
... sensation blends with sensation to create a new quality ( for instance , when notes combine to form a chord ) , so feeling or desire blends with sensation to create the esthetic effect . To depict the artist as he is sometimes depicted ...
Pagina 79
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or day- dreaming ; it is inner vision formulated in images . Halfway between the pas- sivity of sensation ...
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or day- dreaming ; it is inner vision formulated in images . Halfway between the pas- sivity of sensation ...
Pagina 101
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is under- stood , either as memory , mnemonic association , conscious recollection ...
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is under- stood , either as memory , mnemonic association , conscious recollection ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitudes beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge kind knowledge language logical material meaning merely mind moral movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole Wilhelm Worringer words