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however, was to sink her in public estimation; and with that view, by another most unworthy artifice, a much fuller and more explicit confession of her errors was afterwards made public, instead of the one which had been read to her, and which she had really signed.

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"The submission of Joan having been thus extorted, the Bishop of Beauvais proceeded to pass sentence in the name of the tribunal. Ĥe announced to her, that out of 6 grace and moderation' her life should be spared, but that the remainder of it must be passed in prison, with the bread of grief and the water of anguish for her food.'* Joan heard the sentence unmoved, saying only: 'Well, then, ye men of the church, lead me to your own prisons, and let me no longer remain in the hands of these English.' But she was taken back to the same dungeon as before.

"Nor was it designed that her life should indeed be spared. Her enemies only hoped, by a short delay and a pretended lenity, to palliate the guilt of her murder, or to heap a heavier load upon her memory. She had promised to resume a female dress; and it is related that a suit of men's apparel was placed in her cell, and her own removed during the night; so that she had no other choice next morning but to clothe herself again in the forbidden garments. Such is the common version of the story. But we greatly fear that a darker and a sadder tale remains behind. A priest, named Martin l'Advenu, who was allowed to receive her confession at this period, and to shrive her in her dying moments, was afterwards examined at the trial of revision, and declared that an English lord (un millourt d'Angleterre) had entered her prison and attempted violence; that, on his departure, she was found with her face disfigured and in tears; and that she had resumed men's apparel as a more effectual safeguard to her honour.+

"But whether the means employed in this infamous transaction were of fraud or of force, the object was clearly the same to find a pretext for further rigour. For, according to the rules of the Inquisition, it was not heresy in the first instance, but only a relapse into heresy, that could be punished with death. No sooner, then, was the Bishop of Beauvais apprised of Joan's change of dress than he hastened to the prison to convict her of the fact. He asked her whether she had heard 'her Voices' again? 'I have,' answered Joan; 'St. Catherine and St. Margaret have reproved me for my weakness in signing the abjuration, and commanded me to resume the dress which I wore by the appointment of God.' This was enough;

* Au pain de douleurs et à l'eau d'angoisse.'-Collection des Mémoires, vol. viii. p. 304.

+ Compare Sismondi, vol. xiii. p 190, with the Supplément aux Memoires (Collection, vol. viii. p. 304).

the Bishop and his compeers straightway pronounced ber a heretic relapsed: no pardon could now be granted— scarce any delay allowed.

"At daybreak, on the 30th of May, her confessor, Martin l'Advenu, was directed to enter her cell and prepare her for her coming doom-to be burned alive that very day in the market-place of Rouen. At first hearing this barbaros sentence the Maid's firmness forsook her for some mo ments; she burst into piteous cries, and tore her hair in agony, loudly appealing to God, the great Judge against the wrongs and cruelties done her. But ere long regaining her serene demeanour, she made her last con fession to the priest, and received the Holy Sacrament from his hands. At nine o'clock, having been ordered to array herself for the last time in female attire, she was placed in the hangman's car, with her confessor and some other persons, and was escorted to the place of execution by a party of English soldiers. **** At the market-place (it is now adorned by a statue to her memory) she found the wood ready piled, and the Bishop of Beauvais, with the Cardinal of Winchester and other prelates, awaiting their victim First a sermon was read, and then her sentence; at this her tears flowed afresh, but she knelt down to pray with her confessor, and asked for a cross. There was none at hand, and one was sent for to a neighbouring church; meanwhile, an English soldier made another by breaking his staff asunder, and this cross she devoutly clasped to her breast. But the other soldiers were already murmuring at these long delays. How now, priest?' said they to l'Advenu; do you mean to make us dine here?'' At length their fierce impatience was indulged; the ill-fatel woman was bound to the stake, and upon her head was placed a mitre with the following words inscribed :

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'HERETIQUE RELAPSE, APOSTATE, IDOLATRE,' The Bishop of Beauvais drew nigh just after the pile was kindled; It is you,' said she to him, who have brought me to this death.' To the very last, as l'Advenu states in his deposition, she continued to protest and maintain that her Voices were true and unfeigned, and that in obeying them she had obeyed the will of God. As the flames increased, she bid l'Advenu stand further from her side, but still hold the cross aloft, that her latest look on earth might fall on the Redeemer's blessed sign. And the last word which she was heard to speak ere she expired was-JESUS. Several of the prelates and assessors had already withdrawn in horror from the sight, and others were melted to tears. But the Cardinal of Winchester, still unmoved, gave orders that the ashes and bones of 'the heretic' should be collected and cast into the Seine. Such was the end of Joan of Arc-in her death the martyr, as in her life the champion, of her country."

[graphic][subsumed][merged small][merged small]

THE SECOND PART OF

KING HENRY THE SIXTH.

"THE Second Part of Henry the Sixt, with the death of the Good Duke Hvmfrey," was first printed in its complete form, in the folio of 1623. In the brief notice prefixed to the foregoing drama, we have ventured an opinion that the two plays, or one play divided into two parts, called "The First Part of the Contention," &c.* and "The True Tragedie," &c.,† afterwards published by Pavier, under the title of "The Whole Contention," &c.,‡ were not, as Malone has laboured to prove, the production of a preceding writer, but were Shakespeare's first sketches (surreptitiously and inaccurately printed) of what he subsequently re-wrote, and entitled "The Second and Third Parts of Henry VI."

In expressing this opinion, we must not be understood to go the extreme length of ascribing the whole of these two pieces to Shakespeare. Much in them unquestionably belongs to another and a very different hand; but the greater portion, especially in "The First Part of the Contention," appears to our judgment far beyond the reach of any other writer of the age. Such, too, we are pleased to find, is the view entertained by Mr. Halliwell. In his Introduction to the excellent reprint of these two dramas for the Shakespeare Society, in 1843, after a careful revision of the evidence in opposition to the claims of Shakespeare to their authorship, this judicious authority well observes:-"There are so many passages in the two plays now reprinted, that seem almost beyond the power of any of Shakespeare's predecessors or contemporaries, perhaps even not excepting Marlowe, that, as one method of explaining away the difficulties which attend a belief in Malone's theory, my conjecture that when these plays were printed in 1594 and 1595, they included the first additions which Shakespeare made to the originals, does not seem improbable, borne out, as it is, by an examination of the early editions. If I am so far correct, we have yet to discover the originals of the two parts of the Contention,' as well as that of 1 Henry VI."

"The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster, with the death of the good Duke Humphrey: And the banishment and death of the Duke of Suffolke, and the Tragicall end of the proud Cardinall of Winchester, with the notable Rebellion of Iacke Cade: And the Duke of Yorke's first claime onto the Crowne. London, Printed by Thomas Creed, for Thomas Millington, and are to be sold at his shop vnder Saint Peters Church in Cornwall. 1594."

"The True Tragedie of Richard Duke of Yorke, and the death of good King Henrie the Sixt, with the whole contention

betweene the two Houses Lancaster and Yorke, as it was sundrie times acted by the Right Honourable the Earle of Pembrooke his seruants. Printed at London by P. S., for Thomas Millington, and are to be sold at his shoppe vnder Saint Peters Church in Cornwal. 1595."

"The Whole Contention betweene the two Famous Houses, Lancaster and Yorke. With the Tragicall ends of the good Duke Humfrey, Richard Duke of Yorke, and King Henrie the sixt. Diuided into two Parts: And newly corrected and enlarged. Written by William Shakespeare, Gent. Printed at London, for T. P."

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A Sea-Captain, Master, and Master's Mate, and WALTER WHITMORE

Two Gentlemen, Prisoners with Suffolk.

VAUX.

HUME and SOUTHWELL, two Priests.

BOLINGBROKE, a Conjurer.

A Spirit raised by him.

THOMAS HORNER, an Armourer.

PETER, his man.

Clerk of Chatham.

Mayor of St. Alban's.

SIMPCOX, an Impostor.

Two Murderers.

JACK CADE, a Rebel.

GEORGE, JOHN, DICK, SMITH the Weaver, MICHAEL, &c. his followers.

ALEXANDER IDEN, a Kentish Gentleman.

MARGARET, Queen to King Henry.

ELEANOR, Duchess of Gloucester.

MARGERY JOURDAIN, a Witch.

Wife to Simpcox.

Lords, Ladies, and Attendants; Petitioners, Aldermen, a Herald, a Beadle, Sheriffs, and Officers; Citizens, Prentices, Falconers, Guards, Soldiers, Messengers, &c.

SCENE,-Dispersealy in various parts of England.

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