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Pagina xxiv
A partial dissenter from this point of view is Bergson's countryman, Jacques
Maritain, who writes in the intellec- tualist tradition of Aristotle and St. Thomas
Aquinas. Art, he thinks, reveals not only the individual but the type;. 10 T. E.
Hulme ...
A partial dissenter from this point of view is Bergson's countryman, Jacques
Maritain, who writes in the intellec- tualist tradition of Aristotle and St. Thomas
Aquinas. Art, he thinks, reveals not only the individual but the type;. 10 T. E.
Hulme ...
Pagina 63
Again and again I have pointed to the great misunderstanding of Aristotle in
maintaining that the tragic emotions were the two depressing emotions— fear
and pity. Had he been right, tragedy would be an art unfriendly to life: it would
have ...
Again and again I have pointed to the great misunderstanding of Aristotle in
maintaining that the tragic emotions were the two depressing emotions— fear
and pity. Had he been right, tragedy would be an art unfriendly to life: it would
have ...
Pagina 213
Artistic contemplation affects the heart with a joy which is before all intellectual,
and it must be admitted with Aristotle (Poetics, ix, 3, 145 1 b 6) that "poetry is
something more philosophic and of graver import than history, since its
statements are ...
Artistic contemplation affects the heart with a joy which is before all intellectual,
and it must be admitted with Aristotle (Poetics, ix, 3, 145 1 b 6) that "poetry is
something more philosophic and of graver import than history, since its
statements are ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words