A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 63
... Aristotle in maintaining that the tragic emotions were the two depressing emotions - fear and pity . Had he been right , tragedy would be an art un- friendly to life : it would have been necessary to caution people against it as against ...
... Aristotle in maintaining that the tragic emotions were the two depressing emotions - fear and pity . Had he been right , tragedy would be an art un- friendly to life : it would have been necessary to caution people against it as against ...
Pagina 213
... Aristotle ( Poetics , ix , 3 , 1451 b 6 ) that " poetry is something more philosophic and of graver import than history , since its statements are of the nature rather of uni- versals , whereas those of history are singulars ...
... Aristotle ( Poetics , ix , 3 , 1451 b 6 ) that " poetry is something more philosophic and of graver import than history , since its statements are of the nature rather of uni- versals , whereas those of history are singulars ...
Pagina 485
... Aristotle's Theory of Poetry and Fine Art . New York , 1923 . Bywater , Ingram : Aristotle on the Art of Poetry . Oxford , 1909 . Eliot , T. S .: The Sacred Wood . London , 1928 . Foerster , Norman ( editor ) : Humanism and America ...
... Aristotle's Theory of Poetry and Fine Art . New York , 1923 . Bywater , Ingram : Aristotle on the Art of Poetry . Oxford , 1909 . Eliot , T. S .: The Sacred Wood . London , 1928 . Foerster , Norman ( editor ) : Humanism and America ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words