A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 153
... . From Laugh- ter ( Translated by Cloudesley Brereton and Fred Rothwell ) . 3. BERNARD BOSANQUET : THE ESTHETIC ATTITUDE IN ITS EM- BODIMENTS . From Three Lectures on Esthetics . CHAPTER V INTRODUCTORY NOTE BENEDETTO CROCE ( 1866- ) has.
... . From Laugh- ter ( Translated by Cloudesley Brereton and Fred Rothwell ) . 3. BERNARD BOSANQUET : THE ESTHETIC ATTITUDE IN ITS EM- BODIMENTS . From Three Lectures on Esthetics . CHAPTER V INTRODUCTORY NOTE BENEDETTO CROCE ( 1866- ) has.
Pagina 158
... Croce , with their tendency to isolate intuition , BERNARD BOSANQUET ( 1848-1923 ) pre- sents his theory of the unity of personality . Art , he ... BENEDETTO CROCE INTUITION AND EXPRESSION I Art as Intuition . 158 INTUITION AND TECHNIQUE.
... Croce , with their tendency to isolate intuition , BERNARD BOSANQUET ( 1848-1923 ) pre- sents his theory of the unity of personality . Art , he ... BENEDETTO CROCE INTUITION AND EXPRESSION I Art as Intuition . 158 INTUITION AND TECHNIQUE.
Pagina 483
... Croce's Esthetic " in Mind , XXIX ( 1920 ) , pp . 207-211 . Carritt , E. F .: What is Beauty ? Oxford , 1932. Especially Chapter VI . The Theory of Beauty . Op . cit . Chapter VIII . Cock , Albert A .: " The Esthetic of Benedetto Croce ...
... Croce's Esthetic " in Mind , XXIX ( 1920 ) , pp . 207-211 . Carritt , E. F .: What is Beauty ? Oxford , 1932. Especially Chapter VI . The Theory of Beauty . Op . cit . Chapter VIII . Cock , Albert A .: " The Esthetic of Benedetto Croce ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words