A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina iv
... Benedetto Croce's Esthetic , Henri Bergson's Laughter , Bernard Bosanquet's Three Lectures on Esthetics , and Alfred North Whitehead's Science and the Modern World ; to Sigmund Freud and George Allen and Unwin for a quotation from ...
... Benedetto Croce's Esthetic , Henri Bergson's Laughter , Bernard Bosanquet's Three Lectures on Esthetics , and Alfred North Whitehead's Science and the Modern World ; to Sigmund Freud and George Allen and Unwin for a quotation from ...
Pagina 158
... Croce , with their tendency to isolate intuition , BERNARD BOSANQUET ( 1848-1923 ) pre- sents his theory of the unity of personality . Art , he ... BENEDETTO CROCE INTUITION AND EXPRESSION I Art as Intuition . 158 INTUITION AND TECHNIQUE.
... Croce , with their tendency to isolate intuition , BERNARD BOSANQUET ( 1848-1923 ) pre- sents his theory of the unity of personality . Art , he ... BENEDETTO CROCE INTUITION AND EXPRESSION I Art as Intuition . 158 INTUITION AND TECHNIQUE.
Pagina 483
... Croce's Esthetic " in Mind , XXIX ( 1920 ) , pp . 207-211 . Carritt , E. F .: What is Beauty ? Oxford , 1932. Especially Chapter VI . The Theory of Beauty . Op . cit . Chapter VIII . Cock , Albert A .: " The Esthetic of Benedetto Croce ...
... Croce's Esthetic " in Mind , XXIX ( 1920 ) , pp . 207-211 . Carritt , E. F .: What is Beauty ? Oxford , 1932. Especially Chapter VI . The Theory of Beauty . Op . cit . Chapter VIII . Cock , Albert A .: " The Esthetic of Benedetto Croce ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word