A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 158
... BERNARD BOSANQUET ( 1848-1923 ) pre- sents his theory of the unity of personality . Art , he thinks , engages the whole man , as sense , mood , and intelligence . He opposes , more especially , the tendency of Croce to identify art ...
... BERNARD BOSANQUET ( 1848-1923 ) pre- sents his theory of the unity of personality . Art , he thinks , engages the whole man , as sense , mood , and intelligence . He opposes , more especially , the tendency of Croce to identify art ...
Pagina 192
An Anthology Melvin Miller Rader. BERNARD BOSANQUET THE ESTHETIC ATTITUDE IN ITS EMBODIMENTS Why are there different arts ? The simple answer to this question takes us , I believe , to the precise root and source of the whole principle ...
An Anthology Melvin Miller Rader. BERNARD BOSANQUET THE ESTHETIC ATTITUDE IN ITS EMBODIMENTS Why are there different arts ? The simple answer to this question takes us , I believe , to the precise root and source of the whole principle ...
Pagina 482
... Bernard Bosanquet Croce : Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) Second Edition . London , 1922. The Breviary of Esthetic . Houston , Texas : Rice Institute Pamphlets , Volume II ...
... Bernard Bosanquet Croce : Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) Second Edition . London , 1922. The Breviary of Esthetic . Houston , Texas : Rice Institute Pamphlets , Volume II ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words