A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 230
... Clive Bell has been closely associated with ROGER FRY ( 1866-1934 ) , the well - known painter and critic , who re- states in a more moderate way the theory of formalism . He advances , like Bell , an anti - democratic theory of art as ...
... Clive Bell has been closely associated with ROGER FRY ( 1866-1934 ) , the well - known painter and critic , who re- states in a more moderate way the theory of formalism . He advances , like Bell , an anti - democratic theory of art as ...
Pagina 465
... Clive Bell's theory of " significant form . " See the selection from Bell included in the present volume . ( Editor's note . ) does not create the forms ; it is their selection JOHN DEWEY 465.
... Clive Bell's theory of " significant form . " See the selection from Bell included in the present volume . ( Editor's note . ) does not create the forms ; it is their selection JOHN DEWEY 465.
Pagina 486
... Clive Bell , Roger Fry , and Rhys Carpenter Parker : See works listed under Chapter II . Bell : " Post - impressionism and Asthetics " in Burlington Magazine , XXII ( 1912-13 ) , pp . 226-230 . Art . New York , 1914 . " Art and War " in ...
... Clive Bell , Roger Fry , and Rhys Carpenter Parker : See works listed under Chapter II . Bell : " Post - impressionism and Asthetics " in Burlington Magazine , XXII ( 1912-13 ) , pp . 226-230 . Art . New York , 1914 . " Art and War " in ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word