A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 155
... Croce is mainly responsible for the elaboration and popularity of the intuitionalist view . Clinging to idealism , the view that reality consists of minds and their activities , Croce is intent upon analyzing the phases of mental ...
... Croce is mainly responsible for the elaboration and popularity of the intuitionalist view . Clinging to idealism , the view that reality consists of minds and their activities , Croce is intent upon analyzing the phases of mental ...
Pagina 158
... Croce to identify art simply with imagination and to minimize the importance of the sensuous medium and the physical ob- jects of nature . Although Bosanquet is an idealist , he believes that Croce's is a " false idealism , " because it ...
... Croce to identify art simply with imagination and to minimize the importance of the sensuous medium and the physical ob- jects of nature . Although Bosanquet is an idealist , he believes that Croce's is a " false idealism , " because it ...
Pagina 483
... Croce's Esthetic " in Mind , XXIX ( 1920 ) , pp . 207-211 . Carritt , E. F .: What is Beauty ? Oxford , 1932. Especially Chapter VI . The Theory of Beauty . Op . cit . Chapter VIII . Cock , Albert A .: " The Esthetic of Benedetto Croce ...
... Croce's Esthetic " in Mind , XXIX ( 1920 ) , pp . 207-211 . Carritt , E. F .: What is Beauty ? Oxford , 1932. Especially Chapter VI . The Theory of Beauty . Op . cit . Chapter VIII . Cock , Albert A .: " The Esthetic of Benedetto Croce ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word