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CHAPTER V INTRODUCTORY NOTE Benedetto Croce (1866- ) has had a wider
influence in the field of esthetics than any other living writer. Although the
foundations of his theory were laid by the great Italian philosopher, Giambattista
Vico ...
CHAPTER V INTRODUCTORY NOTE Benedetto Croce (1866- ) has had a wider
influence in the field of esthetics than any other living writer. Although the
foundations of his theory were laid by the great Italian philosopher, Giambattista
Vico ...
Pagina 158
In the art of comedy the intellect predominates, for reasons which Bergson relates
in the present selection and elsewhere in his book Laughter. In contrast to
Bergson and Croce, with their tendency to isolate intuition, Bernard Bosanquet (
1848- ...
In the art of comedy the intellect predominates, for reasons which Bergson relates
in the present selection and elsewhere in his book Laughter. In contrast to
Bergson and Croce, with their tendency to isolate intuition, Bernard Bosanquet (
1848- ...
Pagina 483
An Anthology Melvin Miller Rader. Supplementary Abercrombie, Lascelles: "
Communication versus Expression in Art." Op. cit. Carr, Herbert Wildon: "Mr.
Bosanquet on Croce's /Esthetic" in Mind, XXIX (1920), pp. 207-211. Carritt, E. F.:
What is ...
An Anthology Melvin Miller Rader. Supplementary Abercrombie, Lascelles: "
Communication versus Expression in Art." Op. cit. Carr, Herbert Wildon: "Mr.
Bosanquet on Croce's /Esthetic" in Mind, XXIX (1920), pp. 207-211. Carritt, E. F.:
What is ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words