A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
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Pagina 55
... Dionysian . Apollonian art is similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , as embodied , for example , in the Dorian architecture of the Greeks . The ...
... Dionysian . Apollonian art is similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , as embodied , for example , in the Dorian architecture of the Greeks . The ...
Pagina 58
... Dionysian . There are two conditions in which art manifests itself in man even as a force of nature , and disposes of him whether he consent or not : it may be as a constraint to visionary states , or it may be an orgiastic impulse ...
... Dionysian . There are two conditions in which art manifests itself in man even as a force of nature , and disposes of him whether he consent or not : it may be as a constraint to visionary states , or it may be an orgiastic impulse ...
Pagina 59
... Dionysian soil : the Dionysian Greek had need of being Apollonian ; that is to say in order to break his will to the titanic , to the complex , to the uncertain , to the horrible by a will to measure , to simplicity , and to sub ...
... Dionysian soil : the Dionysian Greek had need of being Apollonian ; that is to say in order to break his will to the titanic , to the complex , to the uncertain , to the horrible by a will to measure , to simplicity , and to sub ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words