A Modern Book of Esthetics: An Anthology |
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Pagina 314
The right mean consists of " the utmost decrease of distance without its
disappearance , " that is , the maximum personal appeal compatible with
distance - a rule which Bullough calls the " antinomy of distance . " A somewhat
different theory of ...
The right mean consists of " the utmost decrease of distance without its
disappearance , " that is , the maximum personal appeal compatible with
distance - a rule which Bullough calls the " antinomy of distance . " A somewhat
different theory of ...
Pagina 316
It is not , however , in any of these meanings that “ Distance ” is put forward here ,
though it will be clear in the course of this essay that the above mentioned kinds
of distance are rather special forms of the conception of Distance as advocated ...
It is not , however , in any of these meanings that “ Distance ” is put forward here ,
though it will be clear in the course of this essay that the above mentioned kinds
of distance are rather special forms of the conception of Distance as advocated ...
Pagina 324
affecting the degree of Distance in any given case : those offered by the object
and those realized by the subject . In their interplay they afford one of the most
extensive explanations for varieties of esthetic experience , since loss of Distance
...
affecting the degree of Distance in any given case : those offered by the object
and those realized by the subject . In their interplay they afford one of the most
extensive explanations for varieties of esthetic experience , since loss of Distance
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
ART THE RELIEVER | 107 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature necessary never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole