A Modern Book of Esthetics: An Anthology |
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Pagina 313
EDWARD BULLOUGH ( 1880- ) , a distinguished British psychologist , maintains that “ psychical distance ” is the essential feature of the esthetic attitude . “ Psychical distance , ” he explains , has two aspects : First , there is a ...
EDWARD BULLOUGH ( 1880- ) , a distinguished British psychologist , maintains that “ psychical distance ” is the essential feature of the esthetic attitude . “ Psychical distance , ” he explains , has two aspects : First , there is a ...
Pagina 314
The right mean consists of " the utmost decrease of distance without its disappearance , ” that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance .
The right mean consists of " the utmost decrease of distance without its disappearance , ” that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance .
Pagina 324
affecting the degree of Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive explanations for varieties of esthetic experience , since loss ...
affecting the degree of Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive explanations for varieties of esthetic experience , since loss ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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action activity actual appears appreciation artist balance beauty become bring called cause character classicism color complete conception connection consciousness contemplation created definition desire direct Distance distinction effect elements emotion enjoyment esthetic example existence experience expression fact feeling follow force formal give hand human ideal ideas illusion imagination imitation important impression impulse individual interest intuition kind knowledge less lines living look machine material matter means ment merely mind moral move movement nature never object once organic painting particular physical picture play pleasure possess possible practical present principle production pure question reality reason relations represented result seems sense significance social soul speak spiritual theory things thought tion true truth unity whole