A Modern Book of Esthetics: An Anthology |
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Pagina 314
The right mean consists of " the utmost decrease of distance without its disappearance , " that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance .
The right mean consists of " the utmost decrease of distance without its disappearance , " that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance .
Pagina 316
It is not , however , in any of these meanings that " Distance " is put forward here , though it will be clear in the course of this essay that the above mentioned kinds of distance are rather special forms of the conception of Distance ...
It is not , however , in any of these meanings that " Distance " is put forward here , though it will be clear in the course of this essay that the above mentioned kinds of distance are rather special forms of the conception of Distance ...
Pagina 324
affecting the degree of Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive ex- planations for varieties of esthetic experience , since ...
affecting the degree of Distance in any given case : those offered by the object and those realized by the subject . In their interplay they afford one of the most extensive ex- planations for varieties of esthetic experience , since ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
ART AS THE EXPRESSION | 81 |
THEORIES OF INTUITION AND TECH | 153 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction effect elements Empathy esthetic contemplation esthetic emotion esthetic enjoyment esthetic object estheticians existence experience expression fact feeling formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS idea ideal illusion imagination imitation impulses individual inner intellectual intuition isolation knowledge labor less lines living machine matter means ment merely mind moral movement nature organic OSWALD SPENGLER ourselves painter painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism sculpture sensation sense significant form social soul spiritual striving T. E. Hulme tendency THEODOR LIPPS theory things thought tion truth unity VERNON LEE whole word