A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 314
... distance without its disappearance , " that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance . A somewhat different theory of esthetic distance is formulated by the ...
... distance without its disappearance , " that is , the maximum personal appeal compatible with distance - a rule which Bullough calls the " antinomy of distance . A somewhat different theory of esthetic distance is formulated by the ...
Pagina 322
... Distance . If this be taken as a typical case , it follows that the quali- fication required is that the coincidence should be as com- plete as is compatible with maintaining Distance . The jealous spectator of Othello will indeed ...
... Distance . If this be taken as a typical case , it follows that the quali- fication required is that the coincidence should be as com- plete as is compatible with maintaining Distance . The jealous spectator of Othello will indeed ...
Pagina 324
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of ...
... Distance , whether due to the one or the other , means loss of esthetic appreciation . In short , Distance may be said to be variable both accord- ing to the distancing - power of the individual , and accord- ing to the character of ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words