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Pagina 313
Edward Bullough (1880- ), a distinguished British psychologist, maintains that "
psychical distance" is the essential feature of the esthetic attitude. "Psychical
distance," he explains, has two aspects: First, there is a negative, inhibitory side
— ...
Edward Bullough (1880- ), a distinguished British psychologist, maintains that "
psychical distance" is the essential feature of the esthetic attitude. "Psychical
distance," he explains, has two aspects: First, there is a negative, inhibitory side
— ...
Pagina 314
again increases proportionately. The right mean consists of "the utmost decrease
of distance without its disappearance," that is, the maximum personal appeal
compatible with distance—a rule which Bullough calls the "antinomy of distance.
again increases proportionately. The right mean consists of "the utmost decrease
of distance without its disappearance," that is, the maximum personal appeal
compatible with distance—a rule which Bullough calls the "antinomy of distance.
Pagina 324
affecting the degree of Distance in any given case: those offered by the object
and those realized by the subject. In their interplay they afford one of the most
extensive explanations for varieties of esthetic experience, since loss of Distance,
...
affecting the degree of Distance in any given case: those offered by the object
and those realized by the subject. In their interplay they afford one of the most
extensive explanations for varieties of esthetic experience, since loss of Distance,
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words